C - D (118 recordings)

Trading notes: Nice video, shot from the side. The set obstructs the back of the stage but nothing is really missed. Some nice wideshots and zooms.

Trading notes: Excellent 4K capture of this revival! During the final scene Andrew got a nosebleed but carried on. Minimal wandering and unfocusing throughout. Some washout on wider shots. Includes curtain call, audio is fed from external source.

Trading notes: Excellent 4K capture of an understudy-filled performance, including Brittany’s debut as Morgan! Some wandering / readjustment and unfocusing throughout, and some wideshot action isn't captured due to the proximity of the stage. Some washout on wider shots. One head is consistently visible at the bottom of the frame but never blocks off anything. Includes curtain call, audio is fed from external source.

Trading notes: Filmed in 4K (released as 1080p and 4K), external audio synced. Minor obstruction at times on lower-right side of screen when action is downstage left (only affects a few scenes). Mix of wide, medium, and close zooms as appropriate. Lighting a little dark in some scenes. But otherwise, a very nice capture of this wonderful and powerful show near the end of its run. Fantastic performances from all, but especially Sharon D. Clarke—just WOW.

Trading notes: Closing!

Trading notes: MTS, shot around heads

Master's notes: Drum set cam by Jacob Bauman in Bloomington, IN. Performing Carrie The Musical on April 16, 2022 _______________________________________________________________ -- Musical Numbers -- ACT 1 - 00:00 00:04 - Overture 02:17 - In 08:51 - Shower Aftermath (underscore) 10:39 - Carrie 16:53 - Open Your Heart 20:26 - And Eve Was Weak 25:47 - The World According to Chris 30:57 - Evening Prayers 38:04 - Dreamer in Disguise 42:11 - Once You See 49:20 - Unsuspecting Hearts 52:32 - Tommy's Future (underscore) 53:51 - Do Me a Favor 57:24 - Telekinesis 58:57 - The Invitation (underscore) 01:00:48 - Thank You (underscore) 01:00:57 - Act I Finale ACT 2 - 01:06:51 01:06:52 - Entr'act 01:07:13 - A Night We'll Never Forget 01:13:29 - I'm Just Disappointed 01:15:32 - You Shine 01:19:20 - Why Not Me? 01:22:36 - Stay Here Instead 01:25:50 - Carrie Transformation (underscore) 01:26:47 - When There's No One 01:30:20 - Prom Arrival 01:32:57 - I Remember My Prom (underscore) 01:34:24 - Unsuspecting Hearts (reprise) 01:35:27 - Home by Twelve (underscore) 01:36:43 - Dreamer in Disguise (reprise) 01:39:08 - Chris And Billy Prom 01:40:11 - Prom Climax 01:41:28 - Alma Mater 01:42:22 - The Destruction Part I 01:44:16 - The Destruction Part II 01:47:10 - Carrie (reprise) 01:49:32 - Epilogue 01:52:30 - Bows 01:53:08 - Exit Music _______________________________________________________________ -- Pit Orchestra Musicians -- Conductor/Key 1 ............................................. Ray Fellman Key 2 ................................................................ Erik Wakar Guitar 1 ............................................................ August Fackler Guitar 2 ............................................................ Thomas Dohner Bass ................................................................. Maya Toffler Drums .............................................................. Jacob Bauman Cello ................................................................ Willow Beemsterboer

Trading notes: Originally uploaded to YouTube

Master's notes: Screen recording of the livestream. Multiple formats exist.

Master's notes: Clear capture of this sold out revival. Recording includes the curtain call and a shot of the outside of the theatre. External audio used.

Master's notes: This is a great capture of the show. The show is filled with wonderful talent. Aaron and Norbert have a great chemistry together and Aaron has a huge voice. Kerry and Felicia both have great songs and great vocals. The show itself is very sleek and mod. A

Trading notes: T/W: This video contains a PETA advertisement at the beginning, which contains graphic images and may be distressing. This was included by the master on release.

Trading notes: Some very quick blackouts, none lasting more than 30 seconds or so. Very little obstruction, just heads on the bottom and the right, mostly in wideshots, and they're hardly noticeable.

Trading notes: A nice capture of the short lived show. Disc also includes around 100 minutes of interviews, B-Roll, behind the scenes, etc. Great video with nice picture and clear sound. A

Trading notes: Not to be confused with the 2012 musical by Christopher Curtis, this famous flop never made it to Broadway after a critical bashing. Filmed through the house stationary camera with no closeups. Very good sound, probably from the soundboard, but the video doesn't fare so well with generational loss.

Trading notes: Great HD capture of the new musical based on classic Roald Dahl novel. A fresh dark take on the material, which was fun and very enjoyable! A great comedic cast and innovative production. A

Trading notes: Fantastic HD video with excellent picture and clear great sound; Video has great close-ups and good stage shots for dancing numbers.

Trading notes: Borles amazing understudy in one of the few performances he was able to perform.

Trading notes: Single cam on tripod, good zooms, but theres a noticeable echo in the audio. Act One only.

Master's notes: Filmed in 16:9 widescreen, SD. Minimal obstructions except for in the widest shots. Zooms and wide-shots to focus on characters or larger ensemble numbers. What an amazing cast this was! Nikki Snelson was stunning as Cassie, and all of the others were fantastic as well, many of them still early in their careers at the time. NO PART OF THIS VIDEO IS EVER TO BE POSTED/SHARED/GIFTED ANYWHERE ONLINE including but not limited to YouTube, Tumblr, Vimeo, Reddit, etc.

Trading notes: Final Boston performance filmed from house left at a slight angle. There are three coverups due to late seating but no blackouts or obstructions, not even during applause. Good clear sound and nice picture throughout.

Trading notes: Highlights including half-hour of the show: I Hope I Get It, I Can Do That,At The Ballet, Hello 12..., Gimme The Ball, Dance 10, Looks 3, Can The Adults Smoke? B

Trading notes: This all-star cast gives energetic and nuanced performances; the cast as a whole is a stand-out with absolutely incredible dance numbers. Nicely filmed with no obstructions, no washout, just a couple of quick dropouts. Filmed the stage directly; screens are never shown. Filmed in 16:9 with a mix of wides, mediums and close-ups. Show is 125 minutes on one disc. Includes curtain call and playbill scans.

Trading notes: Mischief Theatre 2017 BBC Special proshot.

Trading notes: A live broadcast of the Broadway hit A Christmas Story: The Musical in which Ralphie wishes for nothing more than a Red Ryder BB Gun for Christmas.

Trading notes: Incredible capture of the final performance of this troubled show’s West End run! The full show is captured with minimal obstruction, including the curtain call and infamous booing of ALW.

Trading notes: Beautiful HD capture of this classic show, with this being the first time it's appeared on Broadway! Really a top-notch cast and a beautiful production, nicely staged! A

Trading notes: Beautiful HD capture with no obstructions. Carly and Fran were wonderful in the roles and really gave them their own touch! Great to see the show still in wonderful shape. A+

Trading notes: Shot from the front row. Starts at ball preparations to the end of Act One. Starts at the top of Act Two and ends at the very end of Theres Music in You. Only known video of Paige and Lauren as Madame and Marie. Extremely Limited Trade per masters request.

Trading notes: First ten minutes or so are blackouts. Blair and Kimberlys third performance. Full Act One. Starts at the top of Act Two. Ends right after the gold transformation. Starts back again after Ella puts on the shoe. Full curtain call. Extremely Limited Trade per masters request.

Trading notes: Video is filmed in a house cam format. There is a lot of spotlight washout so you cant really make out faces, but the sound is wonderful. Soundboard. Location unknown

Master's notes: Filmed around a railing, with the right and front of the stage obstructed. Frequent wandering. ~18 minutes of Act 1 (blindshot), and ~44 minutes of Act 2 (aimed). Audio synced from an external source. Includes: End of Prologue until In My Own Little Corner, When You’re Driving Through The Moonlight/A Lovely Night, A Lovely Night (Reprise) until midway through The Shoe Fits, The Proposal until end of bows.

Master's notes: Two copies were released - this one is marked as Wide Camera

Master's notes: Two copies were released - this one is marked as Main Camera

Master's notes: Great capture of the first preview of this new musical about the real life story of transgender soldier Albert Cashier! Shot in a great mix of close-ups, mediums, and wide-shots with a few dropouts that don't lose too much video. The first bit of act 2 is the most frequent with a 3-minute audio only section and it takes a decent bit to get settled in due to me wrestling with my filming equipment, but it's not bad. External audio is used for act 2. Overall a great capture despite a few technical issues. I’m excited to see where this show goes from here.

Trading notes: Live-streamed from the theater

Master's notes: Excellent capture of this utterly hysterical play. Shot in a great mix of wides, mediums, and close-ups, with wides being more prevalent here due to the ensemble nature of the play. Some small heads at the very bottom of the stage that don’t block any action. Some wandering, shaking, and re-adjusting throughout. My cough can be heard throughout the video but isn’t too distracting and you can still hear everything. Overall an excellent capture of this show.

Master's notes: Excellent capture of this fun new musical! Shot in a great mix of wides, mediums, and close-ups. Some increased wandering, shaking, and re-adjusting throughout. Audio is patched in from an external source. Overall a great capture.

Trading notes: A musical comedy show by the virtuoso prog rock Frank Zappa-like Italian band Elio e le storie tese and the renowned Italian comedian Claudio Bisio. The show, a mix of theatre, concert and musical, includes some of the major hits both of Elio and Bisio, ranging from prog rock to opera, from nonsensical lyrics to uneven tempos and incredible solos, merging Frank Zappa, Monty Python and the long tradition of Italian cabaret. Includes Ùnanimi Pierino e il luppolo La saga di Addolorato Nubi di ieri sul nostro domani odierno (abitudinario) Pignorava Mio cuggino Signor speziale La droga fa male La lega dell'amore Rapput Bene, bravo, Bisio Tapparella Random, pt. 1 Servi della gleba Random, pt. 2 Cara ti amo Risate a denti stretti Think Il vitello dai piedi di balsa Il vitello dai piedi di balsa (reprise) Supergiovane La canzone del boscaiolo (Lumberjack Song) Dannato umorismo

Trading notes: Heavily obstructed HD camera shot from the Closing Night of this immersive production. Due to it being an open space, trying to film was incredibly hard which then led to me having to put my camera on my chair and shoot it blind, and the odds were definitely against me. Lots of interactions with both actors, including getting grabbed and sung to by Harriet, which luckily was caught on film! I’ll be releasing this as highlights only, due to the full show being audible but only a few scenes being visible here and there.

Trading notes: Excellent 4K capture of a stunning duo of actors. There are a few very brief blackouts and one longer one during the transition from the second to third scene. Some minor wandering and unfocusing throughout. Includes curtain call, audio fed from external source.

Master's notes: Nice capture of new cast and fine performances. A-

Trading notes: The bottom left of the video is slightly obstructed by a lighting rail. The master accidentally stop recording during 38 Planes but realized right away so its only missing a second or two. Some nice close-ups. Clive misses the cue for the first “Welcome to the Rock!”

Trading notes: Pro-Shot released on Apple TV+ on September 10, 2021, featuring the February 2020 cast, which includes most of OBC. Tony LePage stepped in for Kevin T./Garth due to cast member Chad Kimball not being invited back due to his Covid remarks.

Trading notes: Excellent 4K capture of Julie’s final scheduled performance as Beverley! Very minor head obstruction at the bottom, but never blocks any action. Some wandering and unfocusing throughout. Includes audio only of curtain call and Screech Out, audio is fed from external source.

Trading notes: Guide video that has zooms edited in. Extremely pixellated during the zooms. Improves during wide shots. Some parts include a time stamp on the screen.

Master's notes: Excellent Capture of this incredibly hilarious production. Due to my seat some things are cut off on the right, HOWEVER lucky for you when you buy this video you get Theatrecouple14's video also! that video will be released with mine and it's the only way to receive his video. His video will follow the same nft date and rules as mine. Some washout, shakiness and readjusting throughout.

Trading notes: Featuring the writers Wayne & Karey Kirkpatrick and the original cast of Broadway’s Something Rotten! singing songs that got revamped, revised or rejected.

Trading notes: After an unexpected premature closure due to the Covid-19 pandemic, the company of Broadways Jagged Little Pill reunites to share stories and songs in celebration of their time spent together!

Master's notes: Grab a drink (or a crab cake) and get cozy with Anna K. Jacobs, the Jonathan Larson Award-winning composer behind off-Broadway’s smash hit musical, Teeth (“a bloody, bawdy musical with banging songs” – Vulture). Featuring a dazzling line-up of friends and collaborators, Anna will share songs from her varied and colorful collection of musicals, including Teeth, Anytown (commissioned by George Street Playhouse), and Witnesses (2022 Craig Noel Award for Outstanding New Production). She will also give a sneak-peak of the brand-new musical she’s creating with the celebrated playwright, Anna Ziegler (Photograph 51, The Wanderers), called A House Without Windows. Expect to leave with some worms in your ears!

Master's notes: Screen Recording of the livestream hosted by 54 Below. Almost perfect recording. Recording is broken up into three parts due to a couple of phone calls I received while streaming and recording. Luckily, not much was missed as I declined the calls and restarted the recording immediately. There were aslo a couple times where I checked to make sure the video was still recording and also a couple times I accidentally taped the screen and had the menu show up. I wish I could go back and get a better recording back it is what it is. This show was amaizing with some absolutely iconic performanes. It may not be perfect but it is still a great recording.

Master's notes: Celebrate Pride Month at 54 Below with Sapphic Broadway – a bold, joyful celebration of queer women in musical theatre! Featuring beloved showtunes such as “Woman Is,” “Changing My Major,” and “Take Me or Leave Me” alongside classics reimagined through a sapphic lens— from “All I Ask of You” to “Agony” and everything in between. Performed by an ensemble of lesbian, queer, and nonbinary artists from Broadway and beyond, with special guests to be announced, Sapphic Broadway is a celebration of visibility, community, and theatrical reinvention.

Trading notes: Ripped from livestream

Master's notes: Excellent 4K capture of Jason Robert Brown’s new musical! Ten second long blackout during “So I Came To New York.” Some wandering and unfocusing throughout. Includes curtain call, audio is fed from external source.

Trading notes: Television adaptation. Much closer to the play than the Grace Kelly/Bing Crosby movie.

Master's notes: Close to house-cam quality stage shot phone boot from the orchestra of this incredible bio musical. A few times focus shifts when the couple in front leans into each other to talk. Final song blocked and movement because they stood up to applaud before the show was over.

Master's notes: Excellent wide-shot phone boot of the incredible closing show in DC. Slight unfocusing very few times, and dark scene before Dear Lie. Everything else is captured wonderfully. Jade Milan gave 110% to this crowd of family and friends, opting up and singing the hell out of these songs throughout. Includes video, audio (tracked and untracked), and digital program.

Trading notes: Stunning and intense production of this Arthur Miller classic. There is a head that is shot over on the left side of the stage. It usually just blocks the actors' legs when in the frame, which is worked around well. The last 10 seconds of the show (Elizabeth's speech) are missing due to length of show and battery running out. A-

Master's notes: Excellent 4K capture of this amazing musical! Increased wandering and unfocusing throughout. Two tracks were cut from the show, making this a very unique cast combination. Elliot Mackenzie's (Lanow) and Katy Ellis's (Gwyns) narration lines were covered by various company members. Includes curtain call, audio fed from external source.

Master's notes: Actor musician productions are always a good time, like jesus christ superstar at newbury watermill. this however is not jesus christ superstar, its benjamin button. Very poorly filmed, mostly a bad angle and catches a fair bit of obstruction.

Trading notes: Frequently incorrectly listed as West End, this was actually recorded at the Palace Theatre in Manchester during the UK Tour. Pro-shot streamed by The Turbine Theatre on 4/14/20 as a fundraiser for coronavirus relief efforts.

Trading notes: Mostly full stage shots with some close-ups. Clear sound and no spotlight washout. There is a video from 1994 that often is mislabeled as this video.

Master's notes: AMAZINGLY put together and performed. Jane, as always, was to die for. Sean was such a joy to watch on stage. And Randy, WOW, her subtlety and charm were astonishing. This capture is just stunning and one of the best from City Center, with no obstructions. A+

Master's notes: Excellent 4K capture from the final weeks of this show! In order to show the choreography as much as possible, this video is wideshot more than usual. This audience was VERY enthusiastic and makes the performance a fun watch. Minimal wandering and unfocusing, a few very brief blackouts. Some action on the far right and some of the projections are cut off due to the angle. Includes curtain call, audio is fed from external source.

Trading notes: Great 4K capture of this stunning new adaptation! Some minor head obstruction on the sides that only block off action when characters sit or lay down. Some action on the extreme sides are not captured due to proximity to the stage. Some wandering and unfocusing throughout. About 15 minutes in, there's a sequence of short blackouts lasting a total of one minute. Includes curtain call, audio is fed from external source.

Master's notes: This show was Very Dark – and then sometimes Very Bright. Despite that, and the occasional obstruction, a very nice video!

Trading notes: The watermarked version is the only circulating copy as of now.

Master's notes: First preview! Some head obstruction which is worked around pretty well. Some washout and shakiness at times but overall a great capture.

Master's notes: Whole show shot from center mezzanine, nicely captured.

Master's notes: Excellent 4K capture of this new show! Some washout on wider shots. Wandering and unfocusing throughout. Includes curtain call, audio fed from external source.

Master's notes: Kinda dark, and not just in subject matter. Includes curtain call speech and performance.

Master's notes: Great 4K capture of this show’s closing performance! Some washout on wider shots. Wandering and unfocusing throughout. Includes curtain call and encore, audio fed from external source.

Trading notes: Presented by Musicals In Mufti. (Mufti means “in street clothes, without the usual trappings”, although the three leads here are in costume). This is a staged reading with limited blocking and choreography and most of the actors hold their scripts. The filmer sat his camcorder on the armrest and pressed the record button so there are no zooms or pans-just a full stage shot. One head in the left side of the frame blocks about 20% of the stage and some of the action which takes place far stage right.

Trading notes: A 1966 American made-for-television video adaptation of the 1949 play of the same name by Arthur Miller. It was directed by Alex Segal and was adapted for television by Miller. Released on DVD as part of the Broadway Theatre Archive project.

Trading notes: Okay 4K capture of this stunning revival. The first act is filmed from very close to the stage, and has significant obstruction on both sides, though action in the center is captured fairly well. Act Two is filmed from the left orchestra and only sometimes misses action on the very far left. Brief blackouts throughout. Includes curtain call, audio is fed from external source.

Master's notes: VOBs. Shot from Mezz. Heads in way of some of stage right.

Master's notes: Excellent phone capture of this world premiere play! Some wandering, shaking, and re-adjusting throughout. Some disruptive audience noises. Some unobtrusive obstructions due to the small theater. Some rustling noises throughout. Unfortunately missing the last 5-ish minutes due to a phone error. I laugh a lot in this video. Sorry about that.

Trading notes: Closing performance of the Chicago tryout. The opening number is pretty shaky due to late audience members. There’s a blackout when Andy is first talking to Emily, and then another in Miranda’s office, both from late arrivals. As usual, some wandering and washout, but overall this is a very solid video with more wideshots than usual. The sound on the mp4 file has been replaced with the audio taken on my phone, but the MTS files have the original audio that fizzes out when the songs are too loud.

Master's notes: Princess Diana was a Phantom of the Opera superfan, a fact that does not feature in this production unfortunately - but is completely true, look it up! shot from seating, decent capture of most of the action but due to the seats being flat some gets missed due to heads in the way. part way through someone also walked in to me. also yes - that REALLY is Keala Settle as the queen. pop off i guess

Trading notes: Pro-shot filmed for Netflix in 2020 and released on October 1, 2021.

Trading notes: released by mtj. Starts halfway through the middle of it all and cuts off in the middle of the exit music.

Trading notes: Originally posted on YouTube by one of the performers.

Master's notes: Brian De Palma’s pro-shot of The Performance Group (now known as The Wooster Group)’s acclaimed experimental adaptation of Euripides’ The Bacchae. The pro-shot consists of the final two performances shown together in split-screen.

Trading notes: Multiple versions circulate, most in very low quality, but a high quality 1080p remaster was included as a bonus feature on the 2026 Blu-Ray release of Brian De Palma’s Hi, Mom!. Also included with the Blu-Ray remux released by Graverobber is a cropped MP4 that cuts down on the empty black space. Content warning: contains nudity.

Trading notes: Excellent HD capture of the new campy musical filled with 70s hits! The cast does a wonderful job with camp and really commits, which makes it a very fun show! A

Trading notes: Full reading with a brand new script. Includes Q & A with the cast and playwright Burt Royal following the reading.

Trading notes: Youtube rip. Archive recording.

My notes: 480p - 497 MB 1080p - 2.71 GB 4k - 8.76 GB

Trading notes: Excellent 4K capture of this revival during its last week of performances. During the last 25 minutes, audio is switched to the camera audio, meaning there is some clicking and rustling throughout. Some wandering/readjusting and unfocusing throughout. Due to the show’s lighting, the footage is quite dark. Includes curtain call, audio is fed from external source.

Trading notes: A great HD capture of the original Broadway cast. Blackouts for the first two minutes and another two minutes toward the end of the show. Great performances in this new dramedy play! A-

Trading notes: Excellent HD capture of the replacement cast. The play picks up where the original A Doll's House left off, with Nora coming back to the aftermath she left behind! A

Trading notes: Whatever you do, dont let The Pigeon star in his own musical production! Because its not easy being The Pigeon– you never get to do ANYTHING! But when the Bus Driver has a crisis that threatens to make her passengers (gasp!) late, maybe that wily bird CAN do something. Starring an innovative mix of actors, puppets, songs, and feathers, Dont Let The Pigeon Drive The Bus! (The Musical) is sure to get everyones wings flapping. With a script written by Mo Willems, the creator of the #1 New York Times best-selling, Caldecott-honor award winning Pigeon picture books, along with longtime collaborator and Disney Jrs Muppet Babies executive producer, Mr. Warburton, and featuring music by Deborah Wicks La Puma, the composer behind Elephant & Piggies We Are In A Play! and Naked Mole Rat Gets Dressed: The Rock Experience, this comedic musical production is even more fun than staying up late and having a hot dog party!

Trading notes: Filmed on January 16, and both shows January 23.

Trading notes: Ballet in two acts with a prologue Libretto: Paweł Chynowski after Bram Stoker’s novel Music: Wojciech Kilar (film scores and excerpts from Kościelec 1909, Concerto for Piano and Orchestra & Symphony No. 5) Arrangement: Michael Brett World premiere: 6 September 2018, West Australian Ballet, Perth Polish premiere: 28 April 2022, Polish National Ballet, Warsaw Soprano recordings: Belinda Butler Recorded by: Malcolm Luker, Twin Palm Studios, Perth, Western Australia

Master's notes: Choreography – Krzysztof Pastor Music – Wojciech Kilar Conductor – Patrick Fournillier Sets – Charles Cusick Smith, Phil R. Daniels Costumes – Charles Cusick Smith, Phil R. Daniels Lighting Design – Jon Buswell

Master's notes: Excellent 4K capture of this hilarious show! Due to a camera error, the last 15 seconds of the show are audio only. Some wandering / readjustment and unfocusing throughout. Audio fed from external source.

Trading notes: A few black-outs due to a head-obstruction on the right side.

Master's notes: Excellent 4K capture of Jimbo’s debut in this musical! Some obstruction on the left that blocks off a bit of action. Occasional short blackouts throughout due to people in the aisles. Increased moments of wandering and unfocusing. Includes curtain call, audio fed from external source.

Trading notes: Rehearsal shot from the house right audience. Run time 2:33:09. Complete run through of the show. Average VHS quality for the time.

Master's notes: BCEFA Pro-Shot Video A+

Trading notes: Multiple Versions Circulate however the VOB + Smalls (3.62 GB) is direct from the master and is the clearest.

Trading notes: Multi-cam, all wide shot

Master's notes: Phone boot. The full show was recorded but the first eleven minutes, five minutes in the middle, and the last eighteen minutes are audio only. All proceeds from this production went to the New York Abortion Access Fund, so if you’re able, please donate: https://www.nyaaf.org/donate

Trading notes: Releasing on behalf of the master who would prefer to stay anonymous (even if you know who recorded it, please don’t include them on your list).