"The Book of Mormon" to "Broadway on Broadway (Concerts)" (50 recordings)

Trading notes: Workshop all staged on barebones sets. Very interesting changes from the eventual Broadway version, including a much different “All American Prophet” (a squaredancey number called “The Bible is a Trilogy, Too”) This version is far less polished and focused but incredibly interesting to see for fans of the show.

Master's notes: A nice capture of this hilarious original show. A very solid and funny cast. Nikki does a fantastic job acting and vocally. On wide shots there can be heads on the sides, but nothing that really obstructs the action. During Broadway previews, less than a month before the official premiere. So there are differences from the Cast Recording. Very nice video of the show however a bar can be visible in wide shots but it doesnt interfere with anything.

Trading notes: T/W: This video contains a PETA advertisement at the beginning, which contains graphic images and may be distressing. This was included by the master on release. Listed as either March 7 or March 11 due to a labeling error by the master. The DVD menu shows the capture date as March 11 while the poster at the beginning says March 7.

Master's notes: Video taken from the aisle of the rear mezzanine. Not the best video, frustrating architectural obstructions that remain for the duration of the performance, a few latecomers walk in front of the camera in the beginning of both acts. Excellent audio quality. The last 5 minutes of act 2 were not filmed. NFS except through master.

Trading notes: Beautiful HD capture of the Chicago cast. I cannot say enough wonderful things about this company! They really are rock solid and give terrific performances! Nic and Ben are really sensational and have great chemistry. A+

Trading notes: A fantastic capture of the second tour cast. This is the first known DVD of the 2NT, and the cast doesn't disappoint. David and Cody are strong leads with great voices and comedic timing. Pierce is perfect as McKinley. Tallia also does a great job; she has a strong belt and does an endearing rendition of Sal Tlay Ka Siti. This is a very nice capture with no obstruction or blackouts, and only a bit of washout in super-wide shots of high-contrast scenes. The video is very steady and the sound is excellent as usual. It's filmed in 16:9 with a mix of wides, mediums, and close-ups. Includes curtain call.

Trading notes: 19 clips from the second tour, conductor cam, ripped from TikTok. Includes (to my knowledge) one from the first tour.

Trading notes: Video is washed out, so it's almost impossible to tell faces apart. However, based on reactions and prop objects (eg flames), it seems that towards the end of Act 1 the audio gets 1s out of synch. There's a small cut (49:31) right after Baptize me, so from the next dialogue until the end of Act 1 (Man Up) audio and video do not match. Act 2 (so from 58:43 on) is synched though.

Trading notes: A very decent video shot from the stall with no obstruction.

Trading notes: Act 1 audio, Act 2 video.

Trading notes: Released by master in both VOB (with smalls), and HD 1080p MP4s (Act 1 = 4.12 GB | Act 2 = 3.66 GB | 7.79 GB total).

Trading notes: One of the best videos of this show out there. Recorded from the right wing, doesnt miss any action. High quality video and excellent sound. Kevin is a very good Elder Price.

Master's notes: Highlights from the National Tour of The Book of Mormon Musical. Filmed October 2022 in Sioux Falls, SD.

Trading notes: 720p YouTube rip, originally uploaded by Conductor Mason Moss. Video runs for 18 minutes, includes parts of most songs except for I Am Here For You, I Am Africa and Joseph Smith American Moses. Actors aren't completely inaudible, but the audio is much more orchestra focused. Should be gifted upon request.

Trading notes: There was a show stop right as Elder Price walks out for Hello. The show then stopped for about 10 minutes and then they started from the beginning of the show. The video shot around heads, especially one a small portion of the left side of the stage. But I did work around it quite well so not much action is missed. Edited by: Medium Observation

Trading notes: Great capture of Vance as Elder Price. Theres one head blocking the far left of the stage but I did work around it quite well as well as one head that blocked the bottom left of the stage, but worked around it. Nice mix of close ups and wide shots. Edited by: Medium Observation

Trading notes: Decent Capture of Evan as Elder Cunningham. Shot around heads the action is captured pretty good. I accidentally stop recording for about 10 seconds in act 2 but it picks right back up after i realized. Edited by: Medium Observation

Master's notes: Good, unobstructed video of the tour’s third season. This is a combination of two videos from two different performances (the cast was the exact same for both). Very little obstruction and a healthy mix of mediums, wides, and some close-ups. Act 1 is a bit shaky at times, especially during scenes that are dark; act 2 is more stable but there is more audio interference. Most of act 2 is single-camera due to usher activity during one of the performances.

Master's notes: Footage of the Keyboard 1/Conduct from the Book of Mormon National Tour. Taped 15 May 2025 @ the Buell Theatre, Denver, Colorado Audio: Zoom H1n (personal Aviom mix) Video: GoPro Hero 9 CONTENTS: 1. Act 1 Opening (0:05) 2. Hello (0:29) 3. You And Me (0:54) 4. Turn It Off (1:37) 5. Man Up (2:28) 6. I Believe (3:30) 7. Baptize Me (4:39) 8. Joseph Smith, American Moses (5:08) 9. Tomorrow Is A Latter Day (5:26) ------------------------------------------- Footage of the Keyboard 2 chair from the Book of Mormon National Tour. Taped 9 January 2025 @ TUTS, Houston, Texas Audio: Zoom H1n (personal Aviom mix) Video: GoPro Hero 9 CONTENTS: 1. Act 1 Opening (0:05) 2. Hello (0:26) 3. Turn It Off (1:08) 4. All-American Prophet (1:37) 5. Man Up (2:00) 6. Making Things Up Again (3:00) 7. I Believe (3:19) 8. I Am Africa (3:57) 9. Bows (4:24) 10. Exit (4:46)

Trading notes: Recording of conductor Braden Chudzik on two separate dates, January 9 and May 15. Originally uploaded to YouTube. Small clips of (almost) every song attached together, for a total of 12 minutes. In the first video performers can be heard a bit louder, in the second one the mix privileges the keyboard. Interesting to see first row's reactions to songs. Wii Sport motif played during Man Up, and other similar easter eggs. Dylan Knight Weaver was on for Elder Price in the May 15 performance.

Trading notes: Around eleven minutes and 19 clips ripped from TikTok. Drum cam.

Trading notes: Drum cam. Different clips taken in 2023. Includes Spooky Mormon Hell Dream, All-American Prophet, Hasa Diga Eeboway, Man Up, Sal Tlay Ka Sity. SMHD and HSE are labelled 2023/2025. Buxaderes is a guess. Everyone's welcome to add to the cast if you recognise anyone. Originally uploaded to Youtube.

Trading notes: Great stage shot of the 2.0 version of this new musical—prior to the addition of any new songs. Very occasional head/hands appear on the right side, but rarely obstruct any of the action. This show swings wildly from dark to very bright so the bright scenes are somewhat washed out. The worst of the washout is during the very last song where the camera also unfocused. Overall, a great capture of one of the early stages of a show in rapid flux!

Master's notes: Shot around heads, mild washout, etc. Occasional shakiness due to needing to reposition the camera. I moved for the second act so it's a lot smoother from there. This is genuinely the most insane piece of theatre I have ever consumed and I need the whole world to see it too.

Trading notes: Nice stage capture of the closing show in Chicago. Features all the changes made throughout the run—including new songs She Knocks Me Out and Color of Love. Some obstruction due to latecomers and ushers. Also a bit of obstruction on the bottom right corner. Washout during the intensely bright scenes. Includes the latter half of the bows as well as very brief comments by Jerry Mitchell.

Trading notes: Nice video from the second week of previews and Version 3.0. Some scenes are majorly wideshot due to the nature of the show, along with usher activity. Some washout can be seen at times but it's not too bad.

Master's notes: Excellent capture of this wonderful new musical in the final week of previews! Shot with alternate camera in a great mix of wides, mediums, and close-ups; some washout can sometimes be seen on wider shots. Minor obstruction on the bottom that rarely cuts off action, it only obstructs when they lean forward which is almost immediately remedied, so the obstruction is well worked around. Some wandering, shaking, and re-adjusting throughout. Overall an excellent capture of Jasmine Amy Rogers’ star turn in this fun show!

Master's notes: Excellent 4K capture of this new show! Some heads are visible at the bottom but don’t block off anything. Some wandering and unfocusing throughout. Some washout on wider shots. Includes curtain call, audio fed from external source.

Master's notes: MP4 format. Filmed in 4K from the front center mezzanine. Mix of wide shots and zooms. Obstruction somewhat often at the bottom of the screen due to being too close to the safety railing. Prolonged moments of washout mostly pop up during “black & white” sequences. Includes bows. NFS forever except through master and NFT through June 24, 2030.

Master's notes: Filmed in 4K from orchestra. Minor obstruction when action is at the far right side of the stage, but no obstruction otherwise. Dropouts for applause and late-comers (THERE WERE SO MANY LATE-COMERS). Includes curtain call. NFT (NOT FOR TRADE) and sales only through master until March 28, 2026.

Master's notes: Now you too could go see Boop. Much of act 1 is obscured, including the last song. Act 2 is much better.

Master's notes: MP4 format. Filmed in 4K from the front left mezzanine. Mix of wide shots and zooms. Closing for Boop! Obstruction semi often at the bottom of the screen due to being too close to the safety railing & one random head. But less obstructed than my May video. Prolonged moments of washout mostly pop up during “black & white” sequences. Includes bows & closing speeches. NFS forever except through master and NFT through August 24, 2030.

Trading notes: The world premiere production of the play by Liz Duffy Adams, depicting a fictional faceoff between two of the greatest writers of their time, playwrights Christopher “Kit” Marlowe and William Shakespeare. In this razor-sharp dark comedy, the two men go head-to-head, fighting and flirting in the back room of a pub, against the backdrop of an aging ruler, an oppressive police state, and constant threat of spies.

Master's notes: Solid phone boot of this neat homoerotic drama between William Shakespeare and Christopher Marlowe. Jaysen did amazing understudying the role of Will, and Alex was truly a wonder. The first 15 minutes, half the stage is cut off and at a dramatic angle, but after that, the video improves drastically and captures all the action. Will's white shirt basically glows but it felt like it did in the theater too, I promise. Some of the darker scenes are a bit underexposed. A couple heads appear in the bottom of frame but they don't cover anything. Readjustment, shaking, and breathing motions throughout. Shot from center of house.

Trading notes: Aired on 08/11/59.

Trading notes: Written as the Covid-19 pandemic unfolded, Breathe follows five couples grappling with the virus's impact on their lives, families, relationships, society, and health. Conceived and written by New York Times best-selling novelist Jodi Picoult and playwright Timothy Allen McDonald, and directed by Tony Award-nominee Jeff Calhoun, Breathe consists of five interlocking suites, with music and lyrics from five songwriting teams. By turns funny and heartbreaking, unbelievable and all-too-real, Breathe is an unprecedented musical chronicling an unprecedented time.

Trading notes: From the National Tour that would eventually lead to a run on Broadway. An excellent capture of this new musical that was surprisingly a great time. A

Trading notes: With an ensemble of over 50 Broadway singers and dancers. Hosted by Florence Henderson; proshot for video. A

Trading notes: 10th anniversary of Broadway Backwards.

Trading notes: “Tap Your Troubles Away” - Clyde Alves & Ensemble “It’s De-Lovely” - Ariana DeBose & Megan Sikora “Wherever He Ain’t” - Andrew Rannells “Real Live Girl” - Cady Huffman “At the Ballet” - Michael Longoria, Dominic Nolfi & Daniel Reichard “Kiss the Girl” - Sierra Boggess & Kathryn Terza “I’m Still Here” - Len Cariou Sensitive Song - Elizabeth Stanley “Buddie Beware” - Bobby Conte Thornton with Bruce Vilanch, Loki & Ensemble “Someone Else’s Story” - Josh Groban “Will You Still Love Me Tomorrow” - Levi Kreis “I’ve Grown Accustomed to Her Face” - Kathleen Turner “Sixteen Going on Seventeen” - Jay Armstrong Johnson & Andrew Keenan-Bolger “If I Loved You” - Lora Lee Gayer & Rachel York “Hello In There” - John Glover with cellist Emily Brausa “Let It Go” - Santino Fontana “Shy” - Eric Petersen & Ensemble “Pity the Child” - Carolee Carmello “Make Them Hear You” - Cynthia Erivo & Ensemble

Trading notes: “Broadway Bares XXII: Happy Endings, transforms our favorite fairytales into crazy-hot, spectacular come-to-life stories as told by a bevy of Broadway's best performers. From Snow White to Sleeping Beauty, Pinocchio to The Pied Piper, Broadway Bares XXII spins the classics into contemporary fantasy. Highlights from the evening included: An opening number featuring Kyle Dean Massey (Next to Normal), who portrayed a young man lost in a world where he didn't fit in until Miriam Shor (TV's GCB) appeared as his fairy godmother. Backed by her God Damnettes and singing a double-entendre-filled original song Happy Endings, written by Chad Beguelin and Matthew Sklar (Elf, The Wedding Singer). Shor turned to an enchanted book to show Massey, whose character appeared throughout the show, that every fairy tale deserves a happy ending. Wilkins, Kristen Beth Williams and Mark Myars choreographed the elaborate opening. Bollywood inspired an interpretation of Aladdin, featuring Reed Kelly (Spider-Man: Turn Off the Dark) in the lead role. The high-energy number with bedazzled costumes and fast-paced, intricate choreography by Dontee Kiehn and Monica Kapoor, included three limber aerialists, choreographed by Ryan Lyons, spinning above the dancers on a giant genie bottle. Puss in Boots celebrated woman power as Candice Monet McCall (Memphis) transformed into a cat-like diva leading an all-female gang that encountered a well-heeled posse of boot-wearing, shirtless men led by Charlie Sutton (Wicked). The showdown, choreographed by Wilkins, John Alix and Derek Mitchell, turned into a fierce, sword-fighting dance off. As Goldilocks, an adorably sexy Andy Mills (Memphis) found more than just three bears as a stage full of hairy grizzlies surrounded him in a number choreographed by Michael Lee Scott. The naughty bears led Goldilocks to a floating love den that propelled him and his aerialist keeper Armando Farfan Jr. high above the stage as the grizzlies dipped into their honey pots. The Broadway Bares version of The Pied Piper, played by Marty Lawson (How to Succeed in Business Without Really Trying), rousted an all male, kilt-clad ensemble that teased the audience with a high-energy, high-jumping, bare-bottomed step dance, choreographed by Peter Gregus. The story of The Ugly Duckling took on bullying as Brandon Rubendall (Anything Goes) helped outcast Adar Wellington (Peepshow) embrace both her inner and outer beauty in a moving piece choreographed by Nick Kenkel. Evita's Rachel Potter led the full Broadway Bares company in the evening's high energy finale, Happily Ever After, which offered its own storybook ending complete with John Carroll (Follies) as Massey's Prince Charming. Choreographers that took part in Happy Endings included Marc Kimelman and aerialist choreographer Brandon Perayda (Sleeping Beauty), Stephanie Klemons (Rapunzel), Lorin Latarro (Pinocchio), Josh Rhodes (Snow White) and Charlie Williams (Mirror, Mirror). Making special appearances were Academy Award-nominee Jennifer Tilly and New York drag queen Lady Bunny. Tony Award nominee Christopher Sieber and Rachelle Rak led the show's famous rotation, where the entire cast appears on stage to receive individual tips from audience members”. Multi-camera, pro-shot for video. Disc also includes cast interviews, and the announcement of the “Stripathon Winners”. A

Master's notes: The 30th anniversary of Broadway Bares filled New York City’s Hammerstein Ballroom on June 26, 2022, with an abundance of “community, unity and nudity” as the venerable modern-day burlesque spectacular wrapped up Pride Sunday with a raucous return to in-person performances after a pandemic-induced three-year hiatus. The anniversary celebration immersed audiences into a risqué reverie of Broadway Bares’ history, revisiting highlights from Bares‘ colorful 30-year past. The trip down memory lane starred 170 of New York City’s hottest, most exuberant dancers led by host Maulik Pancholy, who was assisted by Broadway Bares spirit guides Nathan Lee Graham and Lesli Margherita. The electric evening featured special guest appearances by this year’s Tony Awards host and Oscar winner Ariana DeBose, Funny Girl‘s Ramin Karimloo and POTUS‘ Julianne Hough, Suzy Nakamura and Julie White. The rich history of Broadway Bares began in 1992, when Jerry Mitchell, then a Broadway dancer, gathered six of his friends to raise awareness and stop the stigma of HIV diagnoses by stripping and strutting on the bar at New York City’s Splash. They raised $8,000 that first year to help those living with HIV/AIDS. Since then, Broadway Bares has become one of the hottest tickets in town and has raised $24.5 million for Broadway Cares/Equity Fights AIDS. Multi-camera, pro-shot for video. A

Trading notes: “The bright lights of Vegas couldn’t compete with the star power of more than 200 of NYC’s most dazzling dancers as they erupted into electrifying modern-day burlesque production numbers at Broadway Bares: Hit the Strip on Sunday, June 23, 2024, at Hammerstein Ballroom in New York City. This year’s Broadway Bares invited two sold-out performances into a Las Vegas-inspired world of luxury, liberation and love, which raised a record-shattering $2,259,134 and bested the previous record of $2 million set in 2019. Included in that total is Stripathon, the online fundraiser led by the show’s cast and crew, which raised a record $1,155,133. Created in 1992 by Jerry Mitchell, “Bares” benefits Broadway Cares, providing meals, medication, health care and other services to those diagnosed with HIV/AIDS”. Multi-camera, pro-shot for video. A

Master's notes: More than 200 of New York City’s fiercest dancers clicked their heels and created a larger-than-life, over-the-rainbow romp down the yellow brick road in the sexy, Oz-inspired Broadway Bares: Come Out, Come Out on Sunday, June 22, 2025, at NYC’s Hammerstein Ballroom. This year’s Broadway Bares invited two sold-out audiences into a world of magic and mischief, liberation and love, which raised a record-shattering $2,447,967 for Broadway Cares/Equity Fights AIDS. Included in that total is Stripathon, the online fundraiser led by the show’s cast and crew, which raised a record $1,240,928. Broadway Bares is produced by and benefits Broadway Cares/Equity Fights AIDS. The night’s fundraising will help hundreds of thousands in all 50 states, Puerto Rico and Washington, D.C., including in the theater and entertainment community, receive lifesaving meals and medication, health care and hope. As individuals face ever-changing economic and social instability, the need continues to grow. Multi-camera, pro-shot for video. A

Trading notes: Kathy Dietch – What About Love (Heart), Tony Vincent – Head Over Heels (Tears for Fears), Marty Thomas – We Belong (Pat Benatar), Chris Jackson – Missing You (Tina Turner), Julia Murney – Heartbreaker (Pat Benatar), The Broadway Boys – I Drove All Night (Roy Orbison), Brad Bass – King of Wishful Thinking (Go West), Amy Wren – Gloria (Laura Branigan), Rob Evan – Livin’ on a Prayer (Bon Jovi), Jose Llana and Julia Murney – Endless Love (Lionel Richie and Diana Ross), Lea Michele – I Love Rock and Roll (Joan Jett and the Blackhearts), Marty Thomas – Don’t Stop Believin’ (Journey), Mo Rocca and Jamie-Lynn Sigler – After All (Peter Cetera and Cher), Ann Harada – It’s Raining Men (The Weather Girls). A quality.

Trading notes: It may be missing Titanic. Screenshots from the 3.55 GB copy (which does contain the Titanic performance).