"A Bronx Tale" to "Charlie and the Chocolate Factory" (46 recordings)

Trading notes: Proshot of a reading. Missing the last 5 minutes.

Trading notes: Shot around heads

Master's notes: A fantastic capture of Alan and Michelle with a few understudies in the supporting roles. The production is spectacular, Michelle is ethereal, and Alan is stunning. This is a near perfect capture with no washout, no obstruction, and just one quick dropout in act one. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call and playbill scans. Two DVDs.

Trading notes: Missing the first few seconds of Wilkommen, but otherwise complete. Very steady, focused, and mostly unobstructed. Includes curtain call and Alans BCEFA speech. Act: 1 of the DVD starts at Willkommen Reprise and Act: 2 starts at the Scene prior to If You Could See Her. However the actual VOBS of the DVD is complete.

Master's notes: Drum set cam by Jacob Bauman in Bloomington, IN. Performing Cabaret (1998) on November 11, 2023. _______________________________________________________________ -- Musical Numbers -- ACT 1 - 00:00 00:09 - Willkommen 08:02 - Willkommen Playoff 08:21 - Train Music 11:50 - Welcome To Berlin 13:51- So What 19:36 - Klub Transition 20:55 - Don't Tell Mama 24:45 - Mama Playoff 25:03 - Mama Underscore 31:06 - Mein Herr 34:42 - Mein Herr Playoff 42:09 - Perfectly Marvelous 45:07 - Two Ladies 47:50 - Two Ladies Playoff 51:08 - It Couldn't Please Me More 55:25 - Into Tomorrow 56:41 - After Tomorrow 01:01:40- Maybe This Time 01:06:03 - Money 01:09:29 - Money Playoff & Underscore 01:13:36 - Married 01:16:43 - Fruit Shop Dance 01:22:24 - Tomorrow Reprise ACT 2 - 01:24:37 01:24:39 - Entr'acte 01:25:59 - Kick Line Number 01:31:00 - Married - Reprise 01:32:05 - If You Could See Her 01:35:47 - See Her Playoff 01:37:46 - What Would You Do? 01:44:33 - I Don't Care Much 01:49:02 - The Fight 01:49:49 - Cabaret 01:58:29 - After Cabaret 02:00:10 - Finale 02:05:12 - Exit Music _______________________________________________________________ -- Pit Orchestra Musicians -- Conductor/Key 1 ............................................. Brandon Magid Drums .............................................................. Jacob Bauman Bass ................................................................. Will Heilbraun Banjo ................................................................ Cam MacLean-Kennedy Accordion ........................................................ Sam Parnin Violin ................................................................ Emily Nehus Cello ................................................................. Debbi Ponella Reed 1 .............................................................. Ben Goldstein Reed 2 .............................................................. John Layton Trumpet ........................................................... Zach Walter Trombone ........................................................ Leah Warman

Trading notes: Originally uploaded to YouTube.

My notes: Watermarked version - looking for unwatermarked

Master's notes: Excellent 4K capture of this much-anticipated transfer! Occasional short blackouts due to people in the aisles. Some moments of wandering and unfocusing. Some washout on the wider shots. Includes curtain call, audio fed from external source.

Master's notes: This is a decent capture of one of Paige's first shows as Sally. There is a head in the bottom left corner that doesn't obstruct much, and there is a brief 2-minute dropout between 'Mein Herr' and the scene following.

Master's notes: Excellent 4K capture of David's debut as Emcee! Also the first performance after the Tony’s! Some moments of wandering and unfocusing, takes a little bit to get settled. Some washout on the wider shots. Includes curtain call, audio is fed from external source.

Master's notes: Excellent 4K capture of the new cast (debuts for Adam, Auli’i, Calvin and Michelle)! Some wandering / readjustment and unfocusing throughout. A bit of occasional obstruction from people walking the aisles. Includes curtain call, audio is fed from external source.

Master's notes: Spy cam glasses video shot from the tables on two separate days. Act One (with Adam Lambert and Gabi Campo) was recorded on December 22nd, 2024 and Act Two (with Marty Lauter and Marisha Wallace) was recorded on September 7th, 2025,\

Trading notes: Released as one video

Master's notes: Excellent 4K capture of the new cast! Some wandering and unfocusing throughout. Includes curtain call and the post-show BC/EFA speech, audio is fed from external source.

Trading notes: Originally uploaded to TikTok by a tourist. Contains the entirety of Tomorrow Belongs to Me, Money, If You Could See Her, I Don't Care Much, and Cabaret. The latter two of these are much less focused than the others. Should be gifted upon request due to the fact it's a TikTok rip.

Master's notes: Spy cam glasses video shot from the tables on two separate days. Act One (with Adam Lambert and Gabi Campo) was recorded on December 22nd, 2024 and Act Two (with Marty Lauter and Marisha Wallace) was recorded on September 7th, 2025. Released as one video.

Master's notes: A fantastic capture of Cara in the role of Sally. A handful of focus issues that last several seconds. A very solid replacement cast, probably the strongest I’ve seen. Filmed with a mix of wides, mediums and close ups. Recording includes the curtain call and marquee.

Master's notes: Excellent capture of this stunning production! Shot in a great mix of wides, mediums, and close-ups. Minor obstruction at the bottom that doesn't block any significant action. Some wandering, shaking, and re-adjusting throughout. Audio is patched in from an external source. Overall a wonderful capture.

Trading notes: Nice video, shot from the side. The set obstructs the back of the stage but nothing is really missed. Some nice wideshots and zooms.

Trading notes: Excellent 4K capture of this revival! During the final scene Andrew got a nosebleed but carried on. Minimal wandering and unfocusing throughout. Some washout on wider shots. Includes curtain call, audio is fed from external source.

Trading notes: Excellent 4K capture of an understudy-filled performance, including Brittany’s debut as Morgan! Some wandering / readjustment and unfocusing throughout, and some wideshot action isn't captured due to the proximity of the stage. Some washout on wider shots. One head is consistently visible at the bottom of the frame but never blocks off anything. Includes curtain call, audio is fed from external source.

Trading notes: Filmed in 4K (released as 1080p and 4K), external audio synced. Minor obstruction at times on lower-right side of screen when action is downstage left (only affects a few scenes). Mix of wide, medium, and close zooms as appropriate. Lighting a little dark in some scenes. But otherwise, a very nice capture of this wonderful and powerful show near the end of its run. Fantastic performances from all, but especially Sharon D. Clarke—just WOW.

Trading notes: Closing!

Trading notes: MTS, shot around heads

Master's notes: Drum set cam by Jacob Bauman in Bloomington, IN. Performing Carrie The Musical on April 16, 2022 _______________________________________________________________ -- Musical Numbers -- ACT 1 - 00:00 00:04 - Overture 02:17 - In 08:51 - Shower Aftermath (underscore) 10:39 - Carrie 16:53 - Open Your Heart 20:26 - And Eve Was Weak 25:47 - The World According to Chris 30:57 - Evening Prayers 38:04 - Dreamer in Disguise 42:11 - Once You See 49:20 - Unsuspecting Hearts 52:32 - Tommy's Future (underscore) 53:51 - Do Me a Favor 57:24 - Telekinesis 58:57 - The Invitation (underscore) 01:00:48 - Thank You (underscore) 01:00:57 - Act I Finale ACT 2 - 01:06:51 01:06:52 - Entr'act 01:07:13 - A Night We'll Never Forget 01:13:29 - I'm Just Disappointed 01:15:32 - You Shine 01:19:20 - Why Not Me? 01:22:36 - Stay Here Instead 01:25:50 - Carrie Transformation (underscore) 01:26:47 - When There's No One 01:30:20 - Prom Arrival 01:32:57 - I Remember My Prom (underscore) 01:34:24 - Unsuspecting Hearts (reprise) 01:35:27 - Home by Twelve (underscore) 01:36:43 - Dreamer in Disguise (reprise) 01:39:08 - Chris And Billy Prom 01:40:11 - Prom Climax 01:41:28 - Alma Mater 01:42:22 - The Destruction Part I 01:44:16 - The Destruction Part II 01:47:10 - Carrie (reprise) 01:49:32 - Epilogue 01:52:30 - Bows 01:53:08 - Exit Music _______________________________________________________________ -- Pit Orchestra Musicians -- Conductor/Key 1 ............................................. Ray Fellman Key 2 ................................................................ Erik Wakar Guitar 1 ............................................................ August Fackler Guitar 2 ............................................................ Thomas Dohner Bass ................................................................. Maya Toffler Drums .............................................................. Jacob Bauman Cello ................................................................ Willow Beemsterboer

Trading notes: Originally uploaded to YouTube

Master's notes: This is a great capture of the show. The show is filled with wonderful talent. Aaron and Norbert have a great chemistry together and Aaron has a huge voice. Kerry and Felicia both have great songs and great vocals. The show itself is very sleek and mod. A

Trading notes: T/W: This video contains a PETA advertisement at the beginning, which contains graphic images and may be distressing. This was included by the master on release.

Trading notes: Some very quick blackouts, none lasting more than 30 seconds or so. Very little obstruction, just heads on the bottom and the right, mostly in wideshots, and they're hardly noticeable.

Trading notes: A nice capture of the short lived show. Disc also includes around 100 minutes of interviews, B-Roll, behind the scenes, etc. Great video with nice picture and clear sound. A

Trading notes: Five numbers featuring the 1991 Broadway cast on stage at the Winter Garden as seen on a PBS telethon. This is about half way through the run of the original Broadway production. Runs about 23 minutes long.

Trading notes: Filmed on stage at the Adelphi Theatre (London, England) and distributed commercially.

Trading notes: Highlights running for about 25 minutes: Jellicle Songs for Jellicle Cats, Jellicle Ball, Memory act 2

Trading notes: Full Act 1 is out of focus. Act 2 is much clearer. No zooms. Shot around heads.

Trading notes: Please gift on request as this is a youtube rip. A bit less than 12 mins of footage taken from the balcony. This video is from sometime between 1st February - 4th February 2017

Master's notes: Excellent 4K capture of this much-anticipated production. Some action on the balconies or in the audience couldn’t be captured, and because a lot of the staging uses the entire theatre, there are frequent wideshots. Some very minor obstruction in the top right that blocks off a tiny bit of action. Some moments of wandering and unfocusing. Includes curtain call, audio is fed from external source.

Master's notes: Great 4K capture of this production’s closing performance! Old Deutoronomy’s entrance sequence, which is approximately 8 minutes long, is blacked out due to the theatre-wide standing ovation. Some action on the balconies or in the audience couldn’t be captured, and because a lot of the staging uses the entire theatre, there are frequent wideshots. Some obstruction in the top right that blocks off a bit of action (mostly at the beginning). Some moments of wandering and unfocusing. The crowd is loud and enthusiastic, which is encouraged, but does mean some moments are difficult to hear and the audio is overwhelming. Curtain call is included (but mostly blindshot), audio is fed from external source.

Master's notes: Opening night. Non-replica. Filmed in portrait mode.

Trading notes: Cast is assumed.

Master's notes: Non-replica

Trading notes: Cast is assumed. Most of the show but there are clips where the recording stopped and there are missing parts between those moments.

Trading notes: Great HD capture of the new musical based on classic Roald Dahl novel. A fresh dark take on the material, which was fun and very enjoyable! A great comedic cast and innovative production. A

Trading notes: Borles amazing understudy in one of the few performances he was able to perform.